Really basic draft of an art stack, a base layer for a workshop, and centring on the question of conditions for scalability for the exhibition: why it is required to be, and how it is kept in certain scalable forms — and how we might be begin to work on other scales, scalar patterns, and interrelations than those which determine repeatable, scalable forms such as the exhibition and art works. Addressing these questions are central to the ability of art to intervene on infrastructural imaginaries, and assemblages. Required for context: – Anna Tsing’s work on scalability: the ability to expand […]
In this series of posts I am publishing/sharing some working and research diagrams which are helpful in articulating some key problems and methodological questions when researching infrastructure. While they relate to general questions when studying infrastructure, I am especially interested in how they can be and indeed must be developed for the increasingly complex, systemic infrastructures of staging, publicising, meaning making and mediation as they interpenetrate with the cultural infrastructures of the field of art, design and architecture. These problems are familiar, if not fully discussed in the frame described above, and include: The problem of indicators and levels (Star, […]
*Thoughts in formation* Here, I'm exploring the cultural patterns, imaginaries and practices of infrastructures; what can be called infrastructural cultures, and which might be posed as infrastructure as culture. Part of a wider research into the problems and possibilities for critical, civic and cultural intervention into broader infrastructural contexts, design, policy and 'publics'. Initiated as part of my AHRC CHASE-funded PhD research at Goldsmiths, University of London: "Changing what infrastructure means" (2024).